Gallery 98

ART EPHEMERA, 1960s – 1990s

From the Exhibition: No Wave and Independent Film

Amos Poe, The Foreigner, Eric Mitchell in the Bondage Scene, 3 Film Stills, 1977

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Amos Poe, The Foreigner

Fernando Natalici  (photographer), three (3) production stills showing Eric Mitchell in the hotel bondage scene from The Foreigner by Amos Poe, 1976; RC (resin coated) prints developed from the original 35mm negative, early 1990s; 5 x 7 in. (each). Each photograph is inscribed and signed by the photographer: 1. “Hotel Scene – The Foreigner, 1977, Natalici;” on reverse; 2. “The Foriegner ’77 Natalici” in silver on the front;  3. “Hotel Scene, The Foreigner, Eric Mitchell, Terence Severine, Natalici” on reverse.

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Eric Mitchell, Amos Poes, The Foreigner, Bondage Scene

 Three images form the hotel scene in The Foreigner

 

Eric Mitchell, Amos Poes, The Foreigner, Bondage Scene

Photo #1

 

The Foreigner, Hotel Scene, Fernando Natalici

Inscription on back

 

Eric Mitchell, Amos Poes, The Foreigner, Bondage Scene

Photo #2

 

Eric Mitchell, Amos Poes, The Foreigner, Hotel Scene, Fernando Natalici

Inscription on back

 

Eric Mitchell, Amos Poes, The Foreigner, No Wave Film

Photo #3

Eric Mitchell, Amos Poes, The Foreigner, Fernando Natalici

Inscription on back

Fernando Natalici was born in Brazil and studied at the Fashion Institute of Technology.  He was the art director and still photographer on two films by Amos Poe, Unmade Beds (1976) and The Foreigner (1977).  In 1978 he opened Studio T, a design firm that worked with The Mudd Club, CBGB’s, The Rock Hotel, Danceteria, The Ritz, and Area.

 

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From the Exhibition: No Wave and Independent Film