4th Street Photo Gallery, Alfred Olusegun Fayemi, From Africa and Beyond, Folded Card, 1991
4th Street Photo Gallery, Thomas Tulis, Photographic Interpretations and Impressions of Blacks from 1984 to the Present, Folded Card, 1991
African American Museum, Philemona Williamson, Paintings, 3 Fold Card, 1991
Afrique Caribe Gallery, M.L.J. Johnson, “New American ArtArt,” Card, 1990
Aldrich Museum, No Doubt: African American Art of the 90’s, Folded Card, 1996
Anichini Gallery, African Market, Patrizia Anichini, Card, 1981
AREA, Basquiat, Haring, Warhol, Benefit For Haitian Children, Poster, September 1985
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ART/new york, Lady Pink, Basquiat, Rammellzee, Keith Haring, Graffiti/Post-Graffiti Announcement, 1984
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Artforum, Seydou Keïta, Jackson Pollock, Magazine, February 1998
BAM, Dance Africa, Folded Poster, 1990
Brooklyn Museum, Facing History: The Black Image in American Art 1710 – 1940, Folded Card, 1990
Brooklyn Museum, Glenn Ligon, Evidence of Things Not Seen, Folded Poster, 1997
Center for African Art, African Aesthetics: The Carlo Monzino Collection, Folded Card, 1986
Center for African Art, Perspectives: Angles on African Art, 14-Page Booklet, 1988
Club 57, Rammellzee, Arbitrator Koor, Ikon’s of Gothic Futurism, Card, N.D.
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Cyrus Gallery, Howardena Pindell: Autobiography, Catalogue and Press Release, 1989
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Danceteria, Dondi White, Fun Gallery Crew Party, Card
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Danceteria, The Black Designers’ Collective, Card, 1984
David Zwirner Gallery, Stan Douglas, Two Early Works: ‘Deux Devises’ & ‘Onomatopoeia’, Card, 1997
Davison Art Center (Wesleyan University), Howardena Pindell, Paintings and Drawings – A Retrospective 1972-1992, Card, 1994
Exit Art, David Hammons, Card, 1989
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Fashion Moda, Thom Corn, Fashion Moda is Jazz: Afrikan American Classical Music, Poster, 1987
Fashion Moda, Thom Corn, Expressions Afrikan ’87…Art Against Apartheid, Poster, 1987
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Fine Arts Gallery (Indiana University), Nick Cave, Suits, Masks and Artifacts, Card, 1994
Franklin Furnace, William Pope.L, Flyer, 1989
Gagosian Gallery, Ellen Gallagher, Blubber, Catalogue, 2001
Gagosian Gallery, Seydou Keïta, Photographs from Mali, Folded Card, 1997
Gracie Mansion Gallery, Fred Wilson, Card
Grey Art Gallery, “Art of the Nigerian Royal Court of Benin: Images of Power,” Folded Card, 1981
Guggenheim Museum, Kara Walker, Marjetica Potrc, Conversations with Contemporary Artists, Card, 2000
Hatch-Billops Collection, Marilyn Nance, Card, 1996
Hirschl & Adler Modern, Bill Traylor, “1854-1947,” Folded Card, 1992
Howardena Pindell, Memory: Arizona. 1991, Card, 1991
Hunter College Art Gallery, Roy DeCarava, The Sound I Saw, Card, 1984
Institute for Contemporary Art, Glenn Ligon, Noting Under the Sun, Card, 1998
Institute of Contemporary Art (Pennsylvania), David Hammons, Rousing the Rubble, Card, 1990/91
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International Graffiti Times, Centerfold, Tight, Volume 12, 1991; Design by PHASE 2
Jack Shainman Gallery, Kerry James Marshall, “The Garden Project”, Card, 1995
Jack Tilton Gallery, Lyle Ashton Harris, The Good Life, Card, 1994
Jamaica Arts Center, Malcolm X: The Man, The Meaning, Folded Poster, 1992
Jean-Michel Basquiat, Memorial Gathering Invitation, November 1988
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Jersey City Museum, Dawoud Bey, Portraits 1975 – 1995, 3-Fold Pamphlet, 1997
Jersey City Museum, Emma Amos, Card, 1988
Jersey City Museum, Manual Macarrulla, Emma Amos, Renée Green, Whitfield Lovell, Meet the Artist, Card, 1988
Jersey City Museum, Whitfield Lovell, Card, 1988
John Weber Gallery, Adrian Piper with Lucy Lippard, Kelly Jones…, Colored People, Card, 1991
John Weber Gallery, Adrian Piper, Pretend, Card, 1990
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Jon Waine, William Pope.L, Brian McCormack, Franc Palaia, Steve Davison, Ellen La Forge, “Do the Tic”/”Boogie Down the Congo,” Flexi disc, 1982
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Josh Baer Gallery, Lorna Simpson, Card, c.1990
Just Above Midtown, 3 Teens Kill Four, Adrian Piper, Lorraine O’Grady, October Calendar, Mailer, 1983
Just Above Midtown, David Hammons, Camille Billops, Black Currant, Inaugural Issue, 1982
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Kenkeleba Gallery, The Black and White Show curated by Lorraine O’Grady, Basquiat, Fekner, Haring, Piper, Card, April – May 1983
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Kenkeleba Gallery, Howardena Pindell, Abstraction as Metaphor 1972-1992, Folded Card, 1993
Limelight, Basquiat, Afrika Bambaataa, Dondi, Art Against Apartheid, Benefit Poster, February 1986
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Limelight, Grace Jones, Conan the Destroyer, Card, 1984
Mary Boone Michael Werner Gallery, Basquiat, Salle, Fischl, Drawings, Oversized 3-Fold Card, June 1984
Max Protetch Gallery, Glenn Ligon, Photos & Notes, Card, 1995
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MoMA, “‘Primitivism’ In 20th Century Art,” Press Kit with Photos and Press Releases; also Artforum Nov. 1984 with critical essay by Thomas McEvilley
MOMA, Lorna Simpson, Projects 23, Folded Pamphlet, 1990
MoMA, Roy DeCarava, A Retrospective, 4-Fold Pamphlet, 1996
Monique Knowlton Gallery, Alison Saar, ‘New Icons’, Card, 1986
Monique Knowlton Gallery, Alison Saar, Relief Paintings and Sculpture, Card, 1984
Nerlino Gallery, Miles Davis, Paintings, 3 Fold Brochure, 1991
New Observations (NYC), Adrian Piper (guest editor), “Color” Issue with Lorraine O’Grady, Senga Nengudi, David Hammons, Sam Gilliam, Magazine, 1993
New York Post, “Dung Ho!”, Chris Ofili, Brooklyn Museum, Newspaper, 1999
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Newark Public Library, Amiri Baraka, 1997 John Cotton Dana Distinguished Lecture, Card, 1997
Neworld Magazine, Richmond Barthe, c. 1978
P.S. 1, Afro-American Abstraction Curated by April Kingsley, Events Poster, 1980
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Palladium, Fela Anikulapo Kuti, Post-Concert Party Invite, Card, 1986
PAPER Magazine, Spike Lee, November 1992
Pat Hearn Gallery, Sam Doyle, Large 3-Folded Card, 1986
Phyllis Kind Gallery, Ed Paschke, Card, 1990
PPOW, Carrie Mae Weems, Recent Work, Card, 1990
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PPOW, Carrie Mae Weems, Sea Island, 3-Fold Card, 1992
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Public Art Fund, David Hammons, Higher Goals, Card, 1986
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Public Art Fund, Howardena Pindell, Spectacolor Light Board, Flyer, 1983
Public Art Fund, Spectacolor Lightboard, Robin Winters, Card, 1988
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Semaphore East, Robert Colescott, Les Demoiselles D’Alabama, Card, 1986
Semaphore Gallery, Robert Colescott, Card, 1980
Semaphore Gallery, Robert Colescott, Card, 1983
Semaphore Gallery, Robert Colescott, Exhibition Booklet, 1983
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Sid Deutsch Gallery, Benny Andrews, “People Places Predators,” Folded Card, 1990
Skidmore College, Kara Walker, Narratives of a Negress, Card, 2003
Soho Center for Visual Artists, Glenn Ligon, Text Out of Context, Card, 1991
St. Lawrence University, David B. Steinman Festival of the Arts, Faith Ringgold, Alison Saar, Foldout Brochure/Poster, 1988
Studio Museum Harlem, Program Calendar, Pamphlet, 1983
Studio Museum in Harlem, An Ocean Apart: American Artists Abroad, Tri-Fold Card, 1982
Studio Museum in Harlem, Anthony Barboza, Introspect, Card, 1982
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Studio Museum in Harlem, Faith Ringgold, Poster, 1984
Studio Museum in Harlem, Grand Opening of the New Gift Shop, Card, 1982
Studio Museum in Harlem, Richard Yarde, Savoy, Folded Card, 1983
Studio Museum in Harlem, Roy DeCarava, The Sound I Saw, Folded Card, 1983
Studio Museum in Harlem, Sam Gilliam, Red & Black to ‘D’, Folded Card, 1982
Susan Caldwell Inc, Leon Golub, “Riots White Squads”, Card, 1984
Susan Caldwell Inc, Leon Golub, White Squads ‘Horsing Around’, Card, 1982
Susan Coldwell Inc., Leon Golub, Mercenaries and Interrogations 1979-81, Card, 1982
SVA & Miller Brewing Company, Gallery of Greats: Black Authors… A Voice for the People, Unique folded invitation card, 1990
The Black Panther Party Magazine, Emory Douglas, Volume IV No 17, 1970
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The Black Panther Party Magazine, Emory Douglas, Volume IV No 18, 1970
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The East Village Other, Not Guilty!! Panther 13 Free!!, Volume 6 No 25, 1971
The Whitney Museum, Black Male, Gallery Handout, 1996
Thomas Erben Gallery, Lyle Ashton Harris, The White Face Series, Folded Card, 1997
TIME Magazine, Romare Bearden, Mayor John Lindsay, November 1 Issue, 1968
Tony Shafrazi Gallery, Keith Haring: Into 84, Bill T. Jones, Poster, 1983
Vanderwourde Tananbaum Gallery, Bob Thompson, 3 Fold Card, 1990
Virginia Museum of Fine Arts, Black Art Ancestral Legacy: The African Impulse in African-American Art, Press Kit with Photo, Handout, and Object List, 1991
Walker Art Center, Lorna Simpson, Scenarios, Exhibition Publication, 1999
White Columns, Group Material, Resistance (Anti-Baudrillard), Group exhibition with Martin Wong, Hans Haacke, Jenny Holzer, Card, 1987
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Whitney Museum of American Art, Alvin Loving, Paintings, Pamphlet, 1970
Whitney Museum of American Art, Black Male, Calender of Events, Handout, 1995
Whitney Museum of American Art, Jack Waters, The Male Gayze, Card, 1995
Whitney Museum, Contemporary Black Artists In America, Barkley Hendricks, Betye Saar, Raymond Saunders, Charles White, Al Loving, Text by Robert M. Doty, Catalogue, 1971
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Willie Cole, Museum of Modern Art (MoMA), New Concepts in Printmaking 2, Poster, 1998