4th Street Photo Gallery, Alfred Olusegun Fayemi, From Africa and Beyond, Folded Card, 1991

4th Street Photo Gallery, Thomas Tulis, Photographic Interpretations and Impressions of Blacks from 1984 to the Present, Folded Card, 1991

African American Museum, Philemona Williamson, Paintings, 3 Fold Card, 1991

Afrique Caribe Gallery, M.L.J. Johnson, “New American ArtArt,” Card, 1990

Aldrich Museum, No Doubt: African American Art of the 90’s, Folded Card, 1996

Anichini Gallery, African Market, Patrizia Anichini, Card, 1981

AREA, Basquiat, Haring, Warhol, Benefit For Haitian Children, Poster, September 1985

ART/new york, Lady Pink, Basquiat, Rammellzee, Keith Haring, Graffiti/Post-Graffiti Announcement, 1984

BAM, Dance Africa, Folded Poster, 1990

Brooklyn Museum, Facing History: The Black Image in American Art 1710 – 1940, Folded Card, 1990

Brooklyn Museum, Glenn Ligon, Evidence of Things Not Seen, Folded Poster, 1997

Center for African Art, African Aesthetics: The Carlo Monzino Collection, Folded Card, 1986

Center for African Art, Perspectives: Angles on African Art, 14-Page Booklet, 1988

Cyrus Gallery, Howardena Pindell: Autobiography, Catalogue and Press Release, 1989

Danceteria, Dondi White, Fun Gallery Crew Party, Card

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Danceteria, The Black Designers’ Collective, Card, 1984

David Zwirner Gallery, Stan Douglas, Two Early Works: ‘Deux Devises’ & ‘Onomatopoeia’, Card, 1997

Davison Art Center (Wesleyan University), Howardena Pindell, Paintings and Drawings – A Retrospective 1972-1992, Card, 1994

Exit Art, David Hammons, Card, 1989

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Fashion Moda, Thom Corn, Fashion Moda is Jazz: Afrikan American Classical Music, Poster, 1987

Fashion Moda, Thom Corn, Expressions Afrikan ’87…Art Against Apartheid, Poster, 1987

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Fine Arts Gallery (Indiana University), Nick Cave, Suits, Masks and Artifacts, Card, 1994

Franklin Furnace, William Pope.L, Flyer, 1989

Gagosian Gallery, Seydou Keïta, Photographs from Mali, Folded Card, 1997

Gracie Mansion Gallery, Fred Wilson, Card

Grey Art Gallery, “Art of the Nigerian Royal Court of Benin: Images of Power,” Folded Card, 1981

Guggenheim Museum, Kara Walker, Marjetica Potrc, Conversations with Contemporary Artists, Card, 2000

Hatch-Billops Collection, Marilyn Nance, Card, 1996

Hirschl & Adler Modern, Bill Traylor, “1854-1947,” Folded Card, 1992

Howardena Pindell, Memory: Arizona. 1991, Card, 1991

Hunter College Art Gallery, Roy DeCarava, The Sound I Saw, Card, 1984

Institute for Contemporary Art, Glenn Ligon, Noting Under the Sun, Card, 1998

International Graffiti Times, Centerfold, Tight, Volume 12, 1991; Design by PHASE 2

Jack Shainman Gallery, Kerry James Marshall, “The Garden Project”, Card, 1995

Jack Tilton Gallery, Lyle Ashton Harris, The Good Life, Card, 1994

Jamaica Arts Center, Malcolm X: The Man, The Meaning, Folded Poster, 1992

Jean-Michel Basquiat, Memorial Gathering Invitation, November 1988

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Jersey City Museum, Dawoud Bey, Portraits 1975 – 1995, 3-Fold Pamphlet, 1997

Jersey City Museum, Manual Macarrulla, Emma Amos, Renée Green, Whitfield Lovell, Meet the Artist, Card, 1988

Jersey City Museum, Whitfield Lovell, Card, 1988

John Weber Gallery, Adrian Piper with Lucy Lippard, Kelly Jones…, Colored People, Card, 1991

John Weber Gallery, Adrian Piper, Pretend, Card, 1990

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Jon Waine, William Pope.L, Brian McCormack, Franc Palaia, Steve Davison, Ellen La Forge, “Do the Tic”/”Boogie Down the Congo,” Flexi disc, 1982

Josh Baer Gallery, Lorna Simpson, Card, c.1990

Just Above Midtown, 3 Teens Kill Four, Adrian Piper, Lorraine O’Grady, October Calendar, Mailer, 1983

Just Above Midtown, David Hammons, Camille Billops, Black Currant, Inaugural Issue, 1982

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Kenkeleba Gallery, The Black and White Show curated by Lorraine O’Grady, Basquiat, Fekner, Haring, Piper, Card, April – May 1983

Kenkeleba Gallery, Howardena Pindell, Abstraction as Metaphor 1972-1992, Folded Card, 1993

Limelight, Basquiat, Afrika Bambaataa, Dondi, Art Against Apartheid, Benefit Poster, February 1986

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Limelight, Grace Jones, Conan the Destroyer, Card, 1984

Mary Boone Michael Werner Gallery, Basquiat, Salle, Fischl, Drawings, Oversized 3-Fold Card, June 1984

Max Protetch Gallery, Glenn Ligon, Photos & Notes, Card, 1995

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MoMA, “‘Primitivism’ In 20th Century Art,” Press Kit with Photos and Press Releases; also Artforum Nov. 1984 with critical essay by Thomas McEvilley

MOMA, Lorna Simpson, Projects 23, Folded Pamphlet, 1990

MoMA, Roy DeCarava, A Retrospective, 4-Fold Pamphlet, 1996

Monique Knowlton Gallery, Alison Saar, ‘New Icons’, Card, 1986

Monique Knowlton Gallery, Alison Saar, Relief Paintings and Sculpture, Card, 1984

Nerlino Gallery, Miles Davis, Paintings, 3 Fold Brochure, 1991

New Observations (NYC), Adrian Piper (guest editor), “Color” Issue with Lorraine O’Grady, Senga Nengudi, David Hammons, Sam Gilliam, Magazine, 1993

New York Post, “Dung Ho!”, Chris Ofili, Brooklyn Museum, Newspaper, 1999

Newark Public Library, Amiri Baraka, 1997 John Cotton Dana Distinguished Lecture, Card, 1997

Neworld Magazine, Richmond Barthe, c. 1978

P.S. 1, Afro-American Abstraction Curated by April Kingsley, Events Poster, 1980

Palladium, Fela Anikulapo Kuti, Post-Concert Party Invite, Card, 1986

PAPER Magazine, Spike Lee, November 1992

Pat Hearn Gallery, Sam Doyle, Large 3-Folded Card, 1986

Phyllis Kind Gallery, Ed Paschke, Card, 1990

PPOW, Carrie Mae Weems, Recent Work, Card, 1990

PPOW, Carrie Mae Weems, Sea Island, 3-Fold Card, 1992

Public Art Fund, David Hammons, Higher Goals, Card, 1986

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Public Art Fund, Howardena Pindell, Spectacolor Light Board, Flyer, 1983

Public Art Fund, Spectacolor Lightboard, Robin Winters, Card, 1988

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Semaphore East, Robert Colescott, Les Demoiselles D’Alabama, Card, 1986

Semaphore Gallery, Robert Colescott, Card, 1980

Semaphore Gallery, Robert Colescott, Card, 1983

Semaphore Gallery, Robert Colescott, Exhibition Booklet, 1983

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Sid Deutsch Gallery, Benny Andrews, “People Places Predators,” Folded Card, 1990

Skidmore College, Kara Walker, Narratives of a Negress, Card, 2003

Soho Center for Visual Artists, Glenn Ligon, Text Out of Context, Card, 1991

St. Lawrence University, David B. Steinman Festival of the Arts, Faith Ringgold, Alison Saar, Foldout Brochure/Poster, 1988

Studio Museum Harlem, Program Calendar, Pamphlet, 1983

Studio Museum in Harlem, An Ocean Apart: American Artists Abroad, Tri-Fold Card, 1982

Studio Museum in Harlem, Anthony Barboza, Introspect, Card, 1982

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Studio Museum in Harlem, Faith Ringgold, Poster, 1984

Studio Museum in Harlem, Grand Opening of the New Gift Shop, Card, 1982

Studio Museum in Harlem, Richard Yarde, Savoy, Folded Card, 1983

Studio Museum in Harlem, Roy DeCarava, The Sound I Saw, Folded Card, 1983

Studio Museum in Harlem, Sam Gilliam, Red & Black to ‘D’, Folded Card, 1982

Susan Coldwell Inc., Leon Golub, Mercenaries and Interrogations 1979-81, Card, 1982

SVA & Miller Brewing Company, Gallery of Greats: Black Authors… A Voice for the People, Unique folded invitation card, 1990

The Black Panther Party Magazine, Emory Douglas, Volume IV No 17, 1970

The Black Panther Party Magazine, Emory Douglas, Volume IV No 18, 1970

The East Village Other, Not Guilty!! Panther 13 Free!!, Volume 6 No 25, 1971

The Whitney Museum, Black Male, Gallery Handout, 1996

TIME Magazine, Romare Bearden, November 1 Issue, 1968

Tony Shafrazi Gallery, Keith Haring: Into 84, Bill T. Jones, Poster, 1983

Vanderwourde Tananbaum Gallery, Bob Thompson, 3 Fold Card, 1990

Virginia Museum of Fine Arts, Black Art Ancestral Legacy: The African Impulse in African-American Art, Press Kit with Photo, Handout, and Object List, 1991

Walker Art Center, Lorna Simpson, Scenarios, Exhibition Publication, 1999

White Columns, Group Material, Resistance (Anti-Baudrillard), Group exhibition with Martin Wong, Hans Haacke, Jenny Holzer, Card, 1987

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Whitney Museum of American Art, Alvin Loving, Paintings, Pamphlet, 1970

Whitney Museum of American Art, Black Male, Calender of Events, Handout, 1995

Whitney Museum of American Art, Jack Waters, The Male Gayze, Card, 1995

Whitney Museum, Contemporary Black Artists In America, Barkley Hendricks, Betye Saar, Raymond Saunders, Charles White, Al Loving, Text by Robert M. Doty, Catalogue, 1971

Willie Cole, Museum of Modern Art (MoMA), New Concepts in Printmaking 2, Poster, 1998