Gallery 98

ART EPHEMERA 1960s – 1990s

Gallery 98 is for collectors and researchers. We specialize in announcement cards, posters, publications and other art ephemera from the 1960s - 1990s. For all inquiries: 98bowery@gmail.com | Sign up for our Newsletter    

Marlene Dumas

“Age Indefinite” (2003), folded card for the exhibition “a Big Dream in a Harsh Reality,” AMC Brummelkamp Gallery, Amsterdam, NL, 2004

“Broken White” (2006), poster from the foldout brochure for the exhibition “Marlene Dumas – The Image As Burden,” Foundation Beyeler, Basel, Switz., 2015.

“Broken White,” flyer for a solo exhibition by Dumas, Museum of Contemporary Art Tokyo, 2007

“Chlorosis” (1994), announcement card for Dumas’ solo exhibition, Douglas Hyde Gallery, Dublin, IRL, 1994.

“Couples,” card for Dumas’ solo exhibition, Overholland Museum, Amsterdam, NL, 1990.

“I Am Not In The Country,” Dumas’ ironic calling card following her international success, 1988.

“Man Kind,” announcement card for Dumas’ solo exhibition, Paul Andriesse Gallery, NL, 2006.

“Maria (Ingrid Bergman),” card for the exhibition “For Whom The Bell Tolls,” Zeno X Gallery, Antwerp, BEL, 2008.

“Marlene Dumas (on the night train to Basel),” photograph by Paul Andriesse, 1995.

“Marlene Dumas – Female,” seven-page overprint from “The 21st Century,” catalogue, Kunsthalle Basel, Switz., 1993.

“Miss Interpreted (Marlene Dumas),” promotional card for a film by Rudolf Evenhuis and Joost Verhey, MM Produkties, 1997.

“Miss World” (a drawing done by Dumas at age ten, 1963), invitation card for a solo exhibition, Paul Andriesse Gallery, Amsterdam, NL, 1998.

“Paravent” (screen) (1984), Dumas’ screen from the exhibition “Paravent,” postcard, Art Unlimited Amsterdam, NL., 1985

“Pin-Up,” card for a solo exhibition by Dumas, Stedelijke Museum, Amsterdam, NL, 1996

“Reinhardt’s Daughter” (1994), card for a solo exhibition by Dumas, Zwirner & Wirth Gallery, NY, 2005

“Rejects” (left) and “Models” (right), folded card for Dumas’ two gallery exhibition, Galerie Haus am Kleistpark & New Society for Visual Arts, Berlin, GER, 1996.

“SnowWhite And The Next Generation” (1988), card for Dumas’ solo exhibition “Waiting For Meaning,” Paul Andriesse Gallery, NL, 1988.

“Stripping Girls,” card for exhibition by Dumas and Anton Corbijn, Theatermuseum, Amsterdam, NL, 2000

“The Foetus Tree” (1987-1991), card from Dumas’ solo exhibition at AXENEO-7, Canada, 1992.

“The Painter” (1994), cover of foldout brochure for the exhibition “Marlene Dumas – The Image As Burden,” Foundation Beyeler, Basel, Switz., 2015.

“The Painter” (Dumas’ daughter Helena at age five), card from Dumas’ solo exhibition “Not From Here,” Jack Tilton Gallery, NY, 1994.

“The Private Versus The Public,” card for a solo exhibition by Dumas, Paul Andriesse Gallery, Amsterdam, NL, 1987.

“Things Men Do; A Beauty; Crotch; A Cigarette Before and After” (2001) card, Edition 5, Düsseldorf, GER, 2001.

“Tronies: Marlene Dumas and the Old Masters,” Michael Sweerts “Head of a Woman” (1654) and Dumas’ “Delacroix, Woman” (1984), two cards, Haus der Kunst, Munich, GER, 2010

“Unsatisfied Desire,” card for a solo exhibition by Dumas, Paul Andriesse Gallery, Amsterdam, NL, 1983.

Sold

Marlene Dumas and gallerist Paul Andriesse, 1980, photo by Ton van Summeren, promotional card, Paul Andriesse Gallery, Amsterdam, NL, 2014.

Marlene Dumas and Helena, 1989, photo by Paul Andriesse, card, Art Unlimited Amsterdam, NL, 1989.

Marlene Dumas’ collage “Three Ladies and I,” 1982, invitation card for the group exhibition “The Personal = Political” at Gemeentemuseum Arnhem, NL, 1984.

Marlene Dumas, “An African Mickey Mouse” (1991), card, Edition 5, Düsseldorf, GER, 2001.

Marlene Dumas, “Barbie (With Pearl Necklace)” (1997), card, Marcel Kalksma Handmade Prints, Amsterdam, NL, 1997.

Marlene Dumas, “Happily Married to Art” (1990), promotional card, Paul Andriesse Gallery, NL, 2014.

Marlene Dumas, “Martha — Sigmund’s Wife” (1984), painting from “The Eyes of the Night Creatures,” postcard, Art Unlimited Amsterdam, NL, 1985.

Marlene Dumas, “Miss January” (1998), and Rei Kawakubo, “Woman Suit for Comme des Garcons” (1997), pamphlet for the exhibition “Toile: Body Representations,” Museum Boijmans Van Beuningen, Rotterdam, NL, 1998.

Marlene Dumas, “Primitive Art” (1987), card, Edition 5, Düsseldorf, GER, 2001.

Marlene Dumas, “The Show Must Go On,” Postcard, Art Unlimited Amsterdam (NL), 1985

Marlene Dumas, All Is Fair In Love And War, Card, Jack Tilton/Anna Kustera Gallery (NL), 2001

Marlene Dumas, Andries Botha, card for the two person exhibition “Ladies Choice,” Kasseler Kunstverein, Kassel, GER, 1998

Marlene Dumas, Ask Me No Questions And I’ll Tell You No Lies, Card, Isabella Kacprazak Gallery (Germany), 1992

Marlene Dumas, Black Drawings (1991-92), Card, Goldie Paley Gallery (Pennsylvania), 1993

Marlene Dumas, Broken English (Homage to Marianne Faithfull), Card and Registration Form, Stedelijk Museum, 2014

Marlene Dumas, Drawing Thinking, Group Show, RHA Gallagher Gallery (Dublin), 1999

Marlene Dumas, Folded Card, Museum van Hedendaagse Kunst Antwerpen (Belgium), 1999

Marlene Dumas, Jesus is Angry, Group Exhibition, Folded Card, Museum Catharijneconvent (NL), 1995

Marlene Dumas, Judas (1994), Courtesy of Paul Andriesse, Edition 5, Promotional Postcard, 2001

Marlene Dumas, Man Kind, Card, Paul Andriesse Gallery (NL), 2006

Marlene Dumas, MD, Card, Camden Arts Center (London), 2000

Marlene Dumas, Miss Interpreted, Card, Institute of Contemporary Art (Pennsylvania), 1993

Marlene Dumas, Name No Names, The New Museum, Folded Handout, Text by Johanna Burton, 2002

Marlene Dumas, Rene Daniels, Erik Andriesse, Invitation to Beautiful Exhibitions + Threesome Loneliness, Paul Andriesse Gallery, 56 Page Catalogue, 1989

Marlene Dumas, The Image As Burden, Card, Stedelijk Museum (NL), 2014

Marlene Dumas, The Image As Burden, Double Sided Two-Fold Pamphlet, Stedelijk Museum (NL), 2014

Paravents (artist screens) commissioned by the collector Jule Werner, (with Dumas, Polke, Richter, Kiefer, others), card for the group exhibition at Schloss Lorsfeld, GER, 1984.

Paul Andriesse surrounded by the initials of gallery artists: Marlene Dumas (M.D.), Erik Andriesse (E.A.), Rene Daniels (R.D.), Albert Oehlen (A.O.), Werner Büttner (W.B.), card for group exhibition, Paul Andriesse Gallery, Amsterdam, NL, 1986.

Paul Andriesse, Marlene Dumas installing her exhibition “Broken White” in Tokyo, Tritone Offset Photograph, 2007

Regarding Beauty: A View of the Late Twentieth Century, Group Show with Charles Ray, Marlene Dumas, Pipilotti Rist, others, Four-Fold Pamphlet, Hirshhorn Museum (Washington, D.C.), 1999

The Eyes Of The Night Creatures, card for a solo exhibition by Dumas, Paul Andriesse Gallery, Amsterdam, NL, 1985.

Tronies Marlene Dumas and The Old Masters, Card, Haus der Kunst (Germany), 2010

“A Happy Ending Dulls the Viewer” (Fassbinder) / “The Mission of Art Is to Create Joy” (Brancusi), 1987 drawing, postcard on occasion of Dumas’ Johannes Vermeer prize, Paul Andriesse Gallery, Amsterdam, NL., 2012.

“The Painter” (1994), cover of foldout brochure for the exhibition “Marlene Dumas – The Image As Burden,” Stedelijk Museum, Amsterdam, NL., 2014.